As a wealthy Swedish family, the birthday of her patriarch Alexander (Erland Josephson, Scream and whisper) celebrates the news about the outbreak of the Second World War, which runs away its remote Baltic island – and the happy mood becomes horror. The family climbs into a state of psychological devastation, which is excellently caused by Tarkovsky’s adhering palette of bright shades of gray, which wash the bleak landscape around their house. (The masterful cinematography of the film comes from Sven Nykvist, the long -time employee of Ingmar Bergman). For Alexander, a philosopher who was worried about the lack of spirituality of humans, the prospect of a certain extinction forcing the ultimate victim, and he enters with God in a faustic bargain to save him from fear of fear that she grabbed. The last film by the director who died of cancer is the victim of Tarkovsky’s personal statement, a deeply moving, redeeming tragedy in unforgettable images and heartbreaking emotions.
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